
The Branson Regional Arts Council brings an amazingly powerful stage production to the stage of the Historic Owen Theatre in Branson, Missouri.
The Hunchback of Notre Dame (Rated PG) is a musical based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel.
Eight public performances are scheduled from October 17-27, 2024 with showtimes at 7pm (Thursdays, Fridays, Saturdays) and 2pm (Sundays). Advanced reserved tickets are recommended, and may be purchased online at BransonArts.org/tix or by calling the box office at 417-336-4255. This is community theatre at it’s best and tickets are $20* (18+) and $12* (4-17). Lap children under the age of 4 are free. (*$3 ticketing service fee applies to all tickets beginning Oct 1, 2024)
The musical begins as the bells of Notre Dame sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be “Out There,” observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful Romani woman, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the Roma – and it’s up to Quasimodo to save them all.
A sweeping score and powerful story make The Hunchback of Notre Dame an instant classic. Audiences will be swept away by the magic of this truly unforgettable musical.
The production team includes Kristine Brown and Karie Dykeman (Producers), David Hewitt (Director) , Tom Cartwright and Julie Brinkman (Co-Music Directors).
The cast includes: Christian Anthony Ross (Dom Claude Frollo), Michael Sager (Jehan Frollo), Maddie Hewitt (Florika), Joseph Schumacher (Father Dupin), Josiah Sims (Quasimodo), Tate Gettling (Clopin Trouillefou), Joshua McGeough (Phoebus De Martin), Josh Reed (Frederic Charlu), Kayla Pepper (Esmeralda), River Furgerson (King Louis X), Mindy Law (Madame), Hampton Muse (Saint Aphrodisius), and Jerry Ray Cook, Julie Brinkman , Charis Boulden, Sarah Sutherland, Dimitri Tsahiridis, Juanita Wilson, Brittony Tiger, Cyrsten Rainey-Felley, Rachel Sager as the Congregation.
The Branson Regional Arts Council was founded in 1965 as the “Taney Arts Council,” and officially established 501 (c)(3) non-profit status as “Branson Arts Council, Inc.” in 1993.
Our mission is “to create exceptional artistic, cultural and educational opportunities for our community.”
Financial support is provided by BRAC members, theatre patrons, private donors, as well as additional grant support from the Missouri Arts Council and other organizations.
BRAC, PO Box 2004, Branson, MO 65615





















In 2006, downtown Branson worked with the city and state to form the Historic Downtown Branson CID. The purpose was to help Historic Downtown generate more visitors when its new neighbor arrived; The Branson Landing. The downtown CID started the first public transportation system in Branson and operated within a “Community Improvement District”. The FREE trolleys join Historic Downtown with The Landing!

Urinetown is sheer brilliance with ten Tony nominations to its name and three awards (for best book, score, and direction); but it’s not just the accolades that make this show noteworthy. Urinetown opened on Broadway the day before September 11th, 2001, and offered audiences the side-splitting escapism that they needed while also grappling with some relevant and unanswerable questions like human depravity and suffering. I discovered the show in 2007 and it will forever be special to me because it helped shape my quirky, but also seriously morbid artistic voice. This show isn’t just spoof, satire and potty humor, it’s psychology and hard truths without the ego. I’m in my happy place with this show, and I hope you’ll put your inhibitions aside and come with us to the unavoidable Urinetown! 



