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Four Ozarks Authors Featured At Branson Book Signing Event – Monday Aug 5th

  • dateJuly 25, 2024
  • userBranson Regional Arts Council
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The Branson Regional Arts Council is excited to present a fun book signing event featuring four well-known published authors from the Ozarks.

Authors, Howard C. Cavner, Todd Parnell, Tom Koob and Curtis Copeland will all be attending this book signing event at the Historic Owen Theatre on Monday, August 5, 2024 at 6:00pm.

  • Ozarks Authors Book Signing – FREE EVENT
  • Historic Owen Theatre – 205 S. Commercial St., Branson, MO 65616
  • Monday, August 5, 2024
  • 6:00pm – followed by the film The Shepherd of the Hills at 7:00pm

This free community event will give area locals a chance to meet the authors, and learn what encouraged them to write these wonderful books. The authors will be signing their books, and give a brief talk about how they were inspired to share the stories of the amazing people of the Ozarks, our beautiful mountains, lakes and humorous folktales! This event is a rare chance for friends and fans to connect with the authors, and for the authors to promote their work and engage with their readership.

See individual author biographies below! Make plans to join us for this exciting event!

This Ozarks Author book signing event will be followed by a 7pm showing of the film version of The Shepherd of the Hills starring John Wayne, Betty Field and Harry Carey. The supporting cast includes Beulah Bondi, Ward Bond, Marjorie Main and John Qualen. The picture was Wayne’s first film in Technicolor and was based on the novel of the same name by Harold Bell Wright. The director was Henry Hathaway, who directed several other Wayne films including True Grit almost three decades later.

The film is sponsored by the Historic Downtown Branson Community Improvement District and the public is invited free of charge. The concession stand will be serving your favorite snacks, and seating is limited to 200 people.

 

Howard Cavner – Ozark Saints

Bio: Ozark Saints is Howard Cavner’s first book of short stories.  He considers it a blessing to have lived his childhood and young adult years in Branson, Missouri, just six blocks from the Historic Owen Theater.

Growing up in Branson, when it was a quaint small town, allowed Howard to get to know many Ozark characters, among them Jim Owen, and be influenced by their common hill values.

An ordained progressive Christian minister, he served as an ecumenical campus minister for thirty-five years before retiring in 2018.  Howard is pictured here with his loyal Hickory.

Todd Parnell – The Buffalo, Ben, and Me, and Trails of the Heart

Bio: Todd Parnell is the retired President of Drury University, co-founder and retired CEO of THE BANK in Springfield, MO, civic leader, award-winning author inducted into the Missouri Writers Hall of Fame in 2012, environmental advocate as co-founder of the Upper White River Basin Foundation and retired Chair of the Missouri Clean Water Commission, and an eighth generation native of the Ozarks.

Parnell resides in Springfield with his wife of 47 years, Betty. They are blessed with four children and seven grandchildren, for whom he has great plans on the river.

His passion for engaging all in wild and natural places speaks to individual personal benefit and growth as well as new generations of environmental advocates to protect our unique resources. His commitment to clean water in the Ozarks speaks to a precious and unique natural resource that underlays a vibrant regional water based economy.

Author: Tom Koob – Book: Buried by Table Rock Lake

Bio: Tom Koob has lived in the Ozarks White River Hills for over thirty years.

His study of the area’s history and culture has resulted in four non-fiction books and two novels about the region.

Tom’s interaction with long-time residents has left him with an admiring respect for the strength and character of the mountain folk who have forged a good life out of the Ozarks’ hills and hollows.

Author: Curtis Copeland – Book: Mildred, Quit Hollering!

Bio: My name is Curtis Copeland. I am a lifelong resident of the Southwest Missouri Ozarks, (except for 4 years that I lived in the Arkansas/Missouri border town of Omaha, Arkansas. I graduated from Missouri State University in 1997 with a Bachelor’sDegree in Cartographic Sciences. Immediately after graduation, I was hired as a Geographic Information System (GIS) Technician for the City of Branson, Missouri. Shortly thereafter, I became the GIS Manager for the City of Branson, and have been here now for 25 years. Mapping and geographic analysis for the City has allowed for a lot of variety in my career. It’s allowed for the experience in mapping everything from utilities to zoning to crime and fire response. I’ve also had the opportunity to apply GIS skills to another one of my serious interests, Ozarks history and culture. For several years I was on the Historic Sites Committee for the White River Valley Historical Society. On the Committee, I used GIS technologies to locate and map historic sites, town sites, homesteads and structures. My career with the City of Branson has provided a great deal of experience working with other government agencies, including State, Federal and local entities. This included formulating data sharing agreements and collaborating on projects, including mapping trails and aerial photography acquisitions.

As previously mentioned, I am an Ozarks and local history buff, and therefore, I am a member of, and participate in a number of history-related organizations including: the Stone County Historical Society, the Branson Centennial Museum, The White River Valley Historical Society, and the Bonniebrook Historical Society. I am a board member of the Bonniebrook Historical Society. As mentioned previously, I was a member of the Historic Sites Committee for the White River Valley Historical Society.

I have contributed articles for the White River Valley Historical Quarterly and OzarksWatch magazine. I have co-authored twobooks: Ozarks Hillbilly: Stereotype and Reality, with Tom Koob; and Mildred, Quit Hollering! And Other Ozark Folktales, with Vance Randolph and Augustus Finch. I’m currently working on a secondbookwith Tom Koob about the history of Ozarks float fishing.

In 2023, I was selected to be a presenter at the Smithsonian Folklife Festival, featuring the Ozarks. For the event, the Smithsonian asked that I produce a map that would illustrate the cultural boundary of the Ozarks. I worked with a committee for input during the development process of the map.

In 2017, I assisted in the reviving of The Society of Ozarkian Hillcrofters. An organization originally formed in 1932 for the purpose of preserving Ozarks history, folklore, culture, and conservation of its natural environment. The organization now has more than 80 members. Since 2017, we have assisted in the preservation of a historic post office building, we suggested and gained community support for the changing of the name of Ozark Mountain State Park to Shepherd of the Hills State Park, and we are currently developing a roadside park and nature trail for a historic site in Taney County. The Society of Ozarkian Hillcrofters also raises scholarships to send youth to music camps where they learn traditional Ozarks music and instrumentation.

I have a very supportive, intelligent wife and best friend, Crystal. We have two boys: Coulter, 7 and Sebastian, 15; and a daughter: Olivia, 21. We all enjoy our Missouri outdoors as a family at every possible opportunity.

 

This is the first public showing of the film since it first premiered here at the Owen Hillbilly Theatre (now the Historic Owen Theatre) in 1941.

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Urinetown The Musical Brings Award Winning Comedy To Downtown Branson

  • dateJuly 16, 2024
  • userBranson Regional Arts Council
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Holding out as our #1 Show of the Year, Urinetown the Musical is a sidesplitting sendup of greed, love, revolution (and musicals!), in a time when water is worth its weight in gold.

Don’t miss this Branson Regional Arts Council production of Urinetown, now playing at the Historic Owen Theatre from July 25 – August 4, 2024. Shows run Thursdays (7pm), Fridays (7pm), Saturdays (7pm), and Sundays (2pm).

Reserve your seat now for this hilarious Tony Award winning musical satire of the legal system, capitalism, social irresponsibility, populism, environmental collapse, privatization of natural resources, bureaucracy, municipal politics, and musical theatre itself! Get your tickets online at BransonArts.org/tix or call the box office at 417-336-4255. This production is Rated PG13.

HISTORIC OWEN THEATRE TICKETS

Hilariously funny and touchingly honest, Urinetown provides a fresh perspective on one of America’s greatest art forms.

In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides that he’s had enough and plans a revolution to lead them all to freedom!

Inspired by the works of Bertolt Brecht and Kurt Weill, Urinetown is an irreverently humorous satire in which no one is safe from scrutiny. Praised for reinvigorating the very notion of what a musical could be, Urinetown catapults the “comedic romp” into the new millennium with its outrageous perspective, wickedly modern wit and sustained ability to produce gales of unbridled laughter.

Urinetown is sheer brilliance with ten Tony nominations to its name and three awards (for best book, score, and direction); but it’s not just the accolades that make this show noteworthy. Urinetown opened on Broadway the day before September 11th, 2001, and offered audiences the side-splitting escapism that they needed while also grappling with some relevant and unanswerable questions like human depravity and suffering. I discovered the show in 2007 and it will forever be special to me because it helped shape my quirky, but also seriously morbid artistic voice. This show isn’t just spoof, satire and potty humor, it’s psychology and hard truths without the ego. I’m in my happy place with this show, and I hope you’ll put your inhibitions aside and come with us to the unavoidable Urinetown!
– Kyle Blanchard – Director

The cast of Urinetown The Musical includes: Chad Ferriell (Bobby Strong), Tom Cartwright (Mr. Caldwell / B. Cladwell), Tom Baker (Officer Lockstock), Avery Tillette (Hope Cladwell), Michelle Baker (Penelope Pennywise), Jennifer Buttell (Officer Barrel), Jeremiah Reeve (Senator Fipp), Josh Silvy (Mr. McQueen), Josslynn Silvy (Little Sally), Carter Hendrickson (Joseph Strong / Hot Blades Harry / Exec. 1), Velvet Dougharty (Hidalgo Jane / Mrs. Millenium / Cop), Alivia Prince (Tiny Tom / Dr. Billeaux / Cop), Brenna Bergeron (Little Becky Two-Shoes / UGC Staff / Cop), Melinda Prince (Soupy Sue / UGC Staff / Cop), River Furgerson (Robby the Stockfish / Exec. #2 / Cop), and Macy Everett (Josephine Strong / UGC Staff / Cop).

The production team includes: Karie Dykeman, Kristine Brown (Producers), Kyle Blanchard (Director / Social Media /Costumes), Tom Cartwright (Music Director), Jacob Deck (Choreographer), Julia Wolz (Stage Manager), Dimitri Tsahiridis (Assistant Stage Manager/Stagehand), Myles Stevens (Audio Engineer), Daylin Paulson (Lighting Design), Kayra Holloway (Light Board Operator), Bella Whittington (Spotlight), Charis Boulden, Cyrsten Rainey (Set Painters/Dresser), Josh Silvy (Theatre Inventory), and Jim Barber (Marketing and Design).

 

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Auditions Announced For Hunchback of Notre Dame at Historic Owen Theatre

  • dateJuly 12, 2024
  • userBranson Regional Arts Council
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The Branson Regional Arts Council invites all interested actors, singers and dancers to attend our open auditions for our October production of The Hunchback of Notre Dame!

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film’s Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell’s new book embraces story theatre and features verbatim passages from Hugo’s gothic novel. The Hunchback of Notre Dame is a captivating tale of love, acceptance, heroism and humanity.

Auditions will be held at the Historic Owen Theatre on Sunday, July 28th and Monday, July 29th beginning at 6pm. Please arrive as close to 6pm as possible. Out of respect for everyone’s time we will try to get done as soon as possible.

The show has roles for adults (18+) with a variety of talents and skill levels.

  • Performances are October 17-27, 2024.
  • Please be prepared to provide all conflicts from August 8th through the show dates. 
  • A theatre resume and headshot are required for those seeking named roles.

For vocal auditions, please prepare a less than 60 second cut of a musical theatre song in the style of the show that showcases your range and acting skills. You may also sing from the show. Please bring an mp3 track or youtube karaoke track cued up on your smart device. NO A CAPPELLA auditions.

Acting auditions will include cold readings from the script.  We will be looking for strong acting choices and interpretation.

Dance auditions will include learning a segment of a dance from the show. There will be an easier dance section which everyone will do, followed by a more advanced section to for potential featured dancers. Please wear appropriate clothing and shoes.

Callbacks will be held Wednesday, July 31st starting at 6:00 PM.  You will be invited to participate following your audition.  Some roles may not require callbacks.

PRIMARY CHARACTERS
These performers must be strong singers, and actors.

Claude Frollo
Archdeacon of Notre Dame Cathedral and the most powerful cleric in Paris, he is the reluctant caretaker of Quasimodo. He will do whatever it takes to rid the city of the Roma “vermin,” even as he lusts after Esmeralda. Calculating, manipulative, and obsessive.
Gender: Male
Age: 40 to 50
Vocal range top: D4
Vocal range bottom: E2

Quasimodo
The deformed bell-ringer of Notre Dame and Claude Frollo’s charge. Lonely and staunchly obedient to Frollo, he possesses a vivid imagination that brings to life the bells and gargoyles of the cathedral. Despite his shyness and uncertainty, he quickly befriends Esmeralda. Big-hearted, and brave when need be.
Gender: Male
Age: 20 to 30
Vocal range top: Bb4
Vocal range bottom: Bb2

Clopin Trouillefou
The clever and charismatic King of the Roma. An air of mystery surrounds Clopin, who often leaves the scene in a puff of smoke. As the master of ceremonies for the Feast of Fools, he is witty and playful, but he boasts a darker, serious nature when not performing for the crowd.
Gender: Male
Age: 30 to 40
Vocal range top: G4
Vocal range bottom: C3

Captain Phoebus de Martin
Returning to Paris after serving in the war, Phoebus takes up his new position as Captain of the Cathedral Guard. Overconfident yet charming, this handsome, strong soldier makes the ladies swoon, yet his moral compass is also strong, and he openly defies the corrupted Frollo.
Gender: Male
Age: 25 to 40
Vocal range top: Ab4
Vocal range bottom: Ab2

Esmeralda
A beautiful and free-spirited Romani woman who possesses the strong sense of justice and morality that Frollo lacks. Compassionate, she frees Quasimodo from the frenzied mob at the Feast of Fools and, against her better judgment, falls for the cocky Phoebus.
Gender: Female
Age: 20 to 30
Vocal range top: Db5
Vocal range bottom: Eb3

The Ensemble in this production is referred to as “The Congregation” or “Congregants”

Congregation
Roma, gargoyles, soldiers, and citizens of Paris.
Gender: Any
Dance: There are roles for Movers and for more advanced featured dancers

FEATURED CONGREGANTS

Jehan Frollo
Claude’s reckless younger brother. With Florika, he fathers Quasimodo, who he leaves in his brother’s care. Wild, passionate, and strong-willed.
Gender: Male
Age: 20 to 30
Vocal range top: Eb4
Vocal range bottom: G#2

Florika
A Romani woman and Quasimodo’s mother.
Gender: Female
Age: 20 to 30
Vocal range top: F5
Vocal range bottom: C#4

Father Dupin
A priest of Notre Dame and Claude and Jehan’s guardian.
Gender: Male
Age: 40 to 60
Vocal range top: A4
Vocal range bottom: C4

Lieutenant Frederic Charlus
Lieutenant of the Cathedral Guard and loyal friend to Phoebus.
Gender: Male
Age: 20 to 30

King Louis XI
King of France, nicknamed the Prudent.
Gender: Male
Age: 40 to 50

Tribunal
A judicial officer.
Gender: Male
Age: 20 to 50
Vocal range top: E4
Vocal range bottom: G2

Madam
Owner of a brothel and safe haven for the Roma.
Gender: Female
Age: 35 to 50

Saint Aphrodisius
A statue that comes to life in Quasimodo’s imagination who encourages him to be brave.
Gender: Male
Age: 30 to 50
Vocal range top: E4
Vocal range bottom: B2

There will also be a Choir of 10 additional Singers.
Gender: Any
Acting: None
Dancing: None

We hope to see you there!

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Writer and Director Submissions Now Open For Arts Council 10 Minute Play Series

  • dateJune 11, 2024
  • userBranson Regional Arts Council
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Calling all writers and directors… aspiring and experienced alike! 

The “10-Minute Play Series” is coming back to the Historic Owen Theater on September 8, 2024 and we need your original plays and creative minds! 

This event is to help encourage local writers and directors of all skill and experience levels to practice their art in a low-stakes, low-commitment and safe environment. The evening will consist of ten plays lasting no longer than 10 minutes, in a variety of styles. 

Admission for the event will be a $10 suggested donation to benefit the education programs at the Branson Regional Arts Council.

SUBMISSION INSTRUCTIONS FOR WRITERS: 

  • Please submit your finished script (or at least the first draft) to Kyle Blanchard at Events@BransonArts.org by July 7th. Final selections will be made by the 14th.
  • Specify whether you would also like to direct your play or if you would like another director to stage the piece.
  • The content of the play should not exceed that of a typical PG13 rating.
  • The play must be under 10 minutes in length (usually about 10 pages).

SUBMISSION INSTRUCTIONS FOR DIRECTORS: 

  • Please submit your resume or any relevant experience to Kyle Blanchard at Events@BransonArts.org. (No experience necessary)
  • Directors will be selected on an as-needed basis as playwrights will be permitted to direct their own pieces.
  • Directors will be selected in the week following July 14th.
  • Auditions for actors will be on Sunday, August 4th 6-9pm at the Owen Theater
  • Final Tech/Dress Rehearsal will be on Sunday, September 8th from 1pm to 5 pm
  • The Performance will be on Sunday, September 8th at 7pm

We hope you will join us in an evening of inspiring original works!

10 Min Vectors by Vecteezy

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Stephen Sondheim’s Musical Comedy Company Opens At Historic Owen Theatre

  • dateMay 8, 2024
  • userBranson Regional Arts Council
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The Branson Regional Arts Council is excited to present the fourth mainstage production of the 2024 season, Stephen Sondheim’s Company! From one of musical theatre’s most renowned composers, Company is a musical comedy that tackles timeless situations and themes in a funny, thought-provoking, and catchy musical.

Performances are May 16 – 26, 2024 with shows on Thursday (7pm), Friday (7pm), Saturday (7pm), and Sunday (2pm). NOTE: Sunday May 19th is at 7pm only.

Company is rated PG|13 as the production contains adult situations and some language.

Advance reserve tickets are on sale now at BransonArts.org/tix or by calling the Box Office at 417-336-4255.  Ticket prices are: $20 (Adults 18+) and $12 (Youth 4-17).

Director Loran Polson is making her BRAC Directorial Debut with Company and says, “I’m so excited to be able to bring this show to the BRAC stage & share this story. What’s fantastic about the Branson Regional Arts Council is that there is so much talent in this town!” Loran adds, “This cast is incredible and I am so thrilled with the story they are able to tell. I hope this story makes you laugh, think, and maybe even cry a little bit. That’s the beauty of theater, you can watch art being performed & feel all the complex emotions of life.”

The talented cast of Company includes: Josiah Sims (Robert), Kellsey Bradley (Sarah), Kyle Bradley (Harry), Briana Moody (Susan / Kathy),  Jeremiah Reeve (Peter), Melinda Prince (Jenny), David Hewitt (David), Madison Hewitt (Amy), Joshua McGeough (Paul), Heather Marie Petersen (Joanne), Kyle Denton (Larry / Music Director), Madison Hatfield (Marta), and Dorothie Goode DeOrnellis (April).

The production team includes: Kristine Brown, Karie Dykeman (Producers), Josh Boulden (Assistant Producer), Loran Polson (Director / Set Designer), Abby Reeve (Assistant Director / Costume Designer), Kyle Denton (Music Director), Dimitri Tsahiridis (Stage Manager), Emily Hanner (Choreographer), Myles Stevens (Audio Engineer), Pamela Meadows (Lighting Design), Juanita Wilson, Bella Whittington (Spotlight), Lacey Kellett (Social Media), David Hewitt, Darin Moody, Melinda Prince (Set Construction), Kyle Blanchard (Theatre Manager / Set Construction), Josh Silvy (Theatre Inventory), Marshall Meadows (Photography), and Jim Barber (BRAC Executive Director / Marketing and Design).

About the show…

On the night of his 35th birthday, Bobby contemplates his unmarried status. Over the course of dinners, drinks, and even a wedding, his friends share their pros and cons for being married causing Bobby to question his bachelorhood during hilarious and heartwarming interactions with all the friends he holds dear.

This Tony Award winning musical with book by George Furth and music & lyrics by Stephen Sondheim gives audiences everywhere a reflection of themselves in at least one of these beloved characters. The musical was originally produced and directed on Broadway by Harold Prince, with orchestrations by Jonathan Tunick.

Company is presented through special licensing arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com

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Hold Everything… Auditions For Urinetown The Musical On May 19th

  • dateMay 7, 2024
  • userBranson Regional Arts Council
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The Branson Regional Arts Council is holding open auditions for our summer production of, Urinetown The Musical!

(Adult, pre-teen, and teen roles available)

Audition Information

Initial Auditions will be held at the Historic Owen Theatre in downtown Branson on Sunday, May 19, 2024, 1:00pm – 4:00pm on a first-come basis.

Callbacks will occur on Tuesday, May 21st, 6:00pm – 10:00pm.

If you are unable to attend the auditions in person, please send a self-taped audition, including dance if possible, to Events@BransonArts.org. Also please notify us by email if you’re only available one of the two evenings.

Please prepare 16 Measures, or about 45 Seconds, of a musical theater song in the style of the show; selections from Urinetown are welcome if you are auditioning for a specific role. Be willing to play with different choices if the director asks; big and committed acting choices are a plus!

There will be no accompanist provided, so please come with a recording or Youtube link of your selection, cued to the correct timestamp. There will be an aux cord, iPhone & USB-C dongle, and bluetooth speaker available.

Bring dance attire, as you may be asked to stay for a dance call, time-permitting.

About the Show

This award winning Broadway musical is rated PG-13 and is under the direction of Kyle Blanchard with eight public performances from July 25-28 and August 1-4, 2024 at the Historic Owen Theatre in downtown Branson. Advance reserved seats are on sale now at BransonArts.org/tix or by calling the box office at 417-336-4255.

Holding out as our #1 Show of the Year, Urinetown the Musical is a sidesplitting sendup of greed, love, revolution (and musicals!), in a time when water is worth its weight in gold.
Winner of three Tony Awards, three Outer Critics Circle Awards, two Lucille Lortel Awards and two Obie Awards, Urinetown is a hilarious musical satire of the legal system, capitalism, social irresponsibility, populism, environmental collapse, privatization of natural resources, bureaucracy, municipal politics, and musical theatre itself!
Hilariously funny and touchingly honest, Urinetown provides a fresh perspective on one of America’s greatest art forms.
In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides that he’s had enough and plans a revolution to lead them all to freedom!
Inspired by the works of Bertolt Brecht and Kurt Weill, Urinetown is an irreverently humorous satire in which no one is safe from scrutiny. Praised for reinvigorating the very notion of what a musical could be, Urinetown catapults the “comedic romp” into the new millennium with its outrageous perspective, wickedly modern wit and sustained ability to produce gales of unbridled laughter.

Urinetown Character Breakdown

→ Bobby Strong – Male, 20 to 35. The rebellious everyman who works for Miss Pennywise at the poorest, filthiest town urinal. He becomes an unsuspecting protagonist and romantic hero when he starts a revolution. Vocal Range: Bb2 – Ab4 (B4 optional) A clear high tenor; a nimble falsetto is a plus.

→ Hope Cladwell – Female, 20 to 30. An innocent, romantic optimist who becomes vengeful and determined after being exposed to her father’s evil. Vocal Range: A3 – Ab5 Soprano. Needs a lovely Eb5

→ Caldwell B. Cladwell – Male, 50+. The president and owner of the Urine Good Company. A tyrant who both gleefully exploits the poor and genuinely believes he is helping the city. Vocal Range: A2 – F4. Baritone; needs crisp diction.

→ Officer Lockstock – Male, 30 to 60. A corrupt policeman and the tongue-in-cheek narrator of the story. Bold and brash, quite possibly evil. Vocal Range: A2 – G4 An authoritative voice, with rich low notes but a firm G4.

→ Officer Barrel – Male or Female 30 – 60. Lockstock’s patrol partner. A thuggish and aggressive policeman/woman. Vocal Range: Bb2 – Eb4.

→ Mr. Mcqueen – Male, 20-60. Cladwell’s sycophantic lackey. A cowardly and servile assistant. Vocal Range: A4 – B2.

→ Senator Fipp – Male (possibly female), 40+. A greedy and sleazy politician in Cladwell’s pocket. Vocal Range: F4 – C#3.

→ Penelope Pennywise – Female, 40 to 65. The tough, jaded warden of the poorest, filthiest town urinal. Vocal Range: A3 – G5 (C6 optional) Needs to be clear / shrill up to a G5.

→ Little Sally – Female, 10 to 30 (to play pre-teen). A precocious and irreverent street urchin. A quasi-narrator who often questions Lockstock and the play’s logic. Vocal Range: A3-D5. Has a child’s voice – because she is a child.

→ Joseph “Old Man” Strong / Hot Blades Harry / UGC Staff / Cop – Male, 20+. Bobby’s rebellious father; his refusal to follow abusive laws ultimately launches the revolution. / One of the city’s Poor; violent and unpredictable. / Strong Dancer. Vocal Range: D3 – F4

→ Tiny Tom / UGC Exec. 1 / Cop – Male, 20-60. One of the city’s Poor; immature and confused. / Dancer. Vocal Range: Adjustable

→ Robby the Stockfish / UGC Exec. 2 / Cop – Male, 20-50. One of the city’s Poor; curious and eager, probably on drugs. / Dancer. Vocal Range: Adjustable

→ Hidalgo Jane / Dr. Billeaux / Cop – Female, 15-40. One of the city’s Poor, a literal hobo. / Head of Research and Development at Cladwell’s company UCG. / Dancer. Vocal Range: A3 – E3

→ Little Becky Two-shoes / Mrs. Millennium / Cop – Female, 20-40. One of the city’s Poor, rebellious and impulsive. / Cladwell’s greedy secretary at UCG. / Stong Dancer. Vocal Range: D4 – G5 – Soprano

→ Soupy Sue / UGC Staff / Cop – Female, 20-40. One of the city’s Poor. Kind and anxious …and very pregnant. / Dancer. Vocal Range: B4 – Bb5

→ Josephine “Old Ma” Strong / UGC Staff / Cop – Female, 50+. A strong-willed woman with fight, and a better ability than most to deal with the hard hand life has dealt her. / Proficient mover. Vocal Range: Bb3 – D5

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The Reviews Are In… Molière’s Learned Ladies Is A Fun, Refreshing, Innovative Play

  • dateMarch 19, 2024
  • userBranson Regional Arts Council
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The reviews are in for the Branson Regional Arts Council production of The Learned Ladies, and the consensus is that this show is refreshingly FRESH!

The Learned Ladies is a hilarious adaptation of the 1700’s french comedy by Molière that is translated and adapted by Freyda Thomas. This show provides a unique opportunity for the company to update a timeless classic for a 21st century audience. The production is Directed by Jeremiah Reeve with Assistant Director David Hewitt and Stage Manager Dimitri Tsahiridis.

I thoroughly enjoyed myself the entire time, and I’m pretty sure a smile never left my face!! The references, the humor, the costumes, the wigs, the set, the set decorations… the TALENT!! I adored every second of this brilliantly directed show! Even if you’ve never even heard of the show before [I had not] you will enjoy yourself!! Go and see it before you miss your chance!

– Sean Neal M.

It may be a literary classic, but some things do change.  The language of this production has been updated for a modern audience.  The set and costumes point to different eras, and there will be things that the audience never expects to see in a traditional, historical piece. For that matter, the director promises elements that even Molière himself, may not have imagined. However, over everything else, the comedy has not changed.  “Sometimes, the only way to face the truth is to laugh your way through it,” says director Reeve,  “and today’s story is that kind of story.  A comedy that is funny because you see your world (and maybe a little of yourself) in it.  Whether you enjoy change or not, I hope the humor of this timeless story makes you glad you came.”

The Learned Ladies was a fun innovative play with modern music added in to enhance the scenes. A great ensemble cast. Don’t be afraid fo Moliere’s play. Get out and see this troup.

– Adelle G.

The cast of The Learned Ladies includes: Abby Reeve (Belise),  Anna Brayman (Henriette),   Dorothie Goode Deornehis (Armande), Joshua McGeough (Lycandre), Claire Denton (Arista), Loran Polson (Martine),  Kyle Denton (Chrysale),  Mindy Law (Philamente), Wyatt Jacobsmeyer (Trissotin), Rachel Sager (Vadius / Emelie), Christian Anthony (Judge) and Brittony Tiger (Amelie).

Very well done! I appreciated the blending of periods and how it displayed the human condition, and how it changes little. Actors were flawless and presented the lines well in the couplets, without appearing mechanical. It is refreshing to see that community theatre can do more than musicals.

– Jeff R.

ONLY THREE PERFORMANCES LEFT…

Final Performance Dates of The Learned Ladies are Friday, March 22 (7pm), Saturday, March 23 (7pm) and Sunday, March 24 (2pm).

Advance Reserved Tickets are on sale now at BransonArts.org/tix or by calling the Historic Owen Theatre Box Office at 417-336-4255.

Photo by Marshall Meadows

Molière, born Jean-Baptiste Poquelin, was an actor, playwright and director who became one of France’s best-known writers for his work that ranged from simple farces to sophisticated satires. He was born in Paris on January 15, 1622. He was educated at the College de Clermont, a Jesuit institution, and received a law degree in 1642 from the University of Orleans. His father was a member of the bourgeoisie who purchased the title of Court Upholsterer. Moliere would have inherited his father’s title, but the theatre captured his imagination from an early age. While Moliere was regarded as the greatest French comedic writer and by many as the greatest of all French writers; he reestablished comedy to a place of honor in his time.

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New Artist Works To Be Unveiled On St. Patricks Day At Branson Convention Center

  • dateMarch 6, 2024
  • userBranson Regional Arts Council
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The Branson Regional Arts Council invites the general public to attend the 2024 Spring New Artist Reception at the Branson Convention Center Art Gallery on the 2nd Level Concourse in Downtown Branson.

This FREE Community Event will be held on Sunday, March 17, 2024 from 6-8pm.  Everyone is welcome! You do NOT have to be a BRAC member to attend!

This is a fun way to celebrate St. Patricks Day, so wear something green, and join us for an evening of incredible artistry! We will introduce several new works of art as well as a few new artists joining the Art Gallery Exhibition. Delicious hors d’oeuvres and a cash-bar will be available, courtesy of the Branson Convention Center.

The thirteen artists selected for this six-month exhibition include: Bethanie Adams, Meike Aton, Sissy Blakslee, Diana Bogardus, Jennifer Buttell, Lee Copen, Andelyn Crawford, Peggy Dyke, Ivan Edson, Vic Mastis, Audrey Bottrell-Parks, Gary Parks and Mike Wallace. Their creative works will be on display and available for purchase through mid-September 2024.

Bring yourself, or a group of friends and enjoy this FREE community event!

The Branson Convention Center Art Gallery has been visited in past years by approximately 100,000 people annually. Several of the featured artists will be attending the reception to discuss their work, and members of the Branson Regional Arts Council Board will be there to answer any questions. 

Deceased Board Member and Beloved Friend of the Arts, Robert Cohn, enjoyed an earlier Artist Reception. His dedication and hard work to initiate and develop the Branson Convention Center Art Gallery will not be forgotten.

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Moliere’s The Learned Ladies Reveals Love And Laughter In Downtown Branson

  • dateMarch 4, 2024
  • userBranson Regional Arts Council
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The Branson Regional Arts Council presents their second stage production of the 2024 season. The Learned Ladies is a hilarious adaptation of the 1700’s french comedy by Molière that is translated and adapted by Freyda Thomas. This show provides a unique opportunity for the company to update a timeless classic for a 21st century audience. The production is Directed by Jeremiah Reeve with Assistant Director David Hewitt and Stage Manager Dimitri Tsahiridis.

Director Jeremiah Reeve

This story is one I’ve wanted to tell since I first read it.  Even though it was written in the 1600’s in a different language for a different culture, there is so much in it that rings true today.  I suspect that it will be like that tomorrow –  and a couple hundred years from now, too.

Some things remain the same.  There are always people who get overzealous when new freedoms are released.  There are always people who were already happy with the way things were.  And there are always people willing to do and say anything to access money and power.  The well-meaning get swallowed up by the swindlers; those wanting to learn get led astray by the liars.

It was true in 17th century France, it’s true today, and (unfortunately) it will be true tomorrow.
– Jeremiah Reeve – BRAC Director

It may be a literary classic, but some things do change.  The language of this production has been updated for a modern audience.  The set and costumes point to different eras, and there will be things that the audience never expects to see in a traditional, historical piece. For that matter, the director promises elements that even Molière himself, may not have imagined. However, over everything else, the comedy has not changed.  “Sometimes, the only way to face the truth is to laugh your way through it,” says director Reeve,  “and today’s story is that kind of story.  A comedy that is funny because you see your world (and maybe a little of yourself) in it.  Whether you enjoy change or not, I hope the humor of this timeless story makes you glad you came.”

The cast of The Learned Ladies includes: Abby Reeve (Belise),  Anna Brayman (Henriette),   Dorothie Goode Deornehis (Armande), Joshua McGeough (Lycandre), Claire Denton (Arista), Loran Polson (Martine),  Kyle Denton (Chrysale),  Mindy Law (Philamente), Wyatt Jacobsmeyer (Trissotin), Rachel Sager (Vadius / Emelie), Christian Anthony (Judge) and Brittony Tiger (Amelie).

Performance Dates of The Learned Ladies are Fridays (7pm), Saturdays (7pm) and Sundays (2pm) from March 15 – 24, 2024.

Advance Reserved Tickets are on sale now at BransonArts.org/tix or by calling the Historic Owen Theatre Box Office at 417-336-4255.

Photo by Marshall Meadows

Molière, born Jean-Baptiste Poquelin, was an actor, playwright and director who became one of France’s best-known writers for his work that ranged from simple farces to sophisticated satires. He was born in Paris on January 15, 1622. He was educated at the College de Clermont, a Jesuit institution, and received a law degree in 1642 from the University of Orleans. His father was a member of the bourgeoisie who purchased the title of Court Upholsterer. Moliere would have inherited his father’s title, but the theatre captured his imagination from an early age. While Moliere was regarded as the greatest French comedic writer and by many as the greatest of all French writers; he reestablished comedy to a place of honor in his time.

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Buy-A-Seat And Help Preserve The Historic Owen Theatre

  • dateMarch 3, 2024
  • userBranson Regional Arts Council
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Buy-A-Seat At The Historic Owen Theatre

Give a lasting gift in the name of a loved one (or yourself) to show support of the arts in our community by sponsoring a Historic Owen Theatre seat! Your custom engraved plate will be secured to the back of your seat and will permanently remain in place. This tax deductible donation benefits the Branson Regional Arts Council efforts to preserve and maintain the Historic Owen Theatre. Select any available seat now, and your memorial plate will be engraved and installed for all to see. 

One of our long term goals of is to restore and modernize the Historic Owen Theatre, thereby preserving the legacy of former Branson Mayor Jim Owen who built the venue as a movie theatre in 1936.  Theatre patrons and area businesses are invited to “Buy-A-Seat” at the Owen Theatre as a way of showing their support and appreciation of the arts in our community.

“There are 203 cushioned theatre seats available for adoption in our Buy-A-Seat campaign. For a $500 deductible donation to the Arts Council, each donor will received an engraved brass plate with their name, the name of their business, or a dedication to a loved one; permanently fixed to the back of their seat. Their support of the arts will be on display for as long as the Branson Regional Arts Council has ownership of this historic facility. We hope that will be for generations to come!” – Jim Barber – Executive Director, Branson Regional Arts Council

To submit a tax-deductable donation to “Buy-A-Seat” at the Historic Owen Theatre, mail a check to: BRAC, PO Box 2004, Branson, MO 65615 and notate the seat number you wish to “adopt” in the memo line.  If donors would prefer to pay via any major credit card, please click on this link and select your seat via our online ticketing system.

BUY-A-SEAT NOW

The seating chart below shows which seats are currently available for adoption.  Once a seat is “adopted” by a donor, it will never be available to anyone else. We thank everyone who has “adopted” a seat to date….

Current Buy-A-Seat Patrons include:

  • A1 – DELYLA & RICK UEBEL
  • A2 – RICH & SUE SPOLEY
  • A3 – PAUL A SLICER (by Patty Slicer)
  • A4 – VENEDA B SLICER (by Penny McDermott)
  • A5 – SUE R HEAD
  • A6 – HAYDEN HEAD
  • A7 – DIANE W BARBER (by Jim & Jessica Barber)
  • A8 – ROBERT (BOB) COHN (in memory by BRAC)
  • A9 – JEAN CANTWELL (in memory by BRAC)
  • A10 – RON & DIANE MATHES
  • A11 – THE HALE FAMILY
  • A12 – SMITH BROOKHART (by Gail Brookhart)
  • A11 – MEREDITH MIZELL (in memory by BRAC)
  • B4 – CDR JAMES R WALKER (by Barbara Walker)
  • B5 – ALAN “CHIP” MASON
  • B6 – DAWN ERICKSON
  • B7 – BONNIE HERRMANN
  • B8 – BARBARA COHN
  • B9 – DARLENE REA
  • B10 – DARLENE REA
  • B11 – GRANDMA SANDY PLATE (by Kim & Art Hale)
  • B12 – GLENN & ARDIE BARBER (by Jim Barber)
  • C5 – ANN M McDOWELL
  • C6 – ROBERT F McDOWELL
  • C7 – JORDAN KENDRICK (by “Nana”)
  • C8 – STEVE & RAEANNE PRESLEY
  • C9 – GLEN AMUNDSEN
  • C10 – LEA TRIMBLE
  • C11 – MARK TRIMBLE
  • D5 – DYLAN PRATT
  • D6 – JOY MERRILL
  • D7 – SUSIE & JEFF TURNER
  • D8 – JEFF & SUSIE TURNER
  • D9 – SHERRY HERSCHEND
  • D10 – JACK HERSCHEND
  • D11 – DIANE WALLAHAN BARBER (by Mary Jane Wallahan)
  • D12 – CLARK C. KELLOGG
  • D13 – MARY LOU KELLOGG
  • E8 – JOHN W MIZELL
  • E9 – SHIRLEY MIZELL
  • E10 – MEREDITH J MIZELL
  • E11 – BRANSON’S SONG OF HOPE
  • F3 – RUTH & BOB ABBOTT
  • F4 – BOB & RUTH ABBOTT
  • F9 – FRED PFISTER
  • F10 – FALECIA PFISTER
  • F8 – BETH WYMAN (by Lacey Eyberg)
  • F11 – FAY PFISTER
  • K5 – AMERICANNA MAGNESS (in memory by BRAC)
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Auditions Announced For Stephen Sondheim’s musical Company

  • dateFebruary 19, 2024
  • userBranson Regional Arts Council
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The Branson Regional Arts Council announces open auditions for our third stage production of the 2024 season, Stephen Sondheim’s Company! From one of musical theatre’s most renowned composers, Company is a musical comedy that tackles timeless situations and themes in a funny, thought-provoking, and catchy musical.

On the night of his 35th birthday, Bobby contemplates his unmarried status. Over the course of dinners, drinks, and even a wedding, his friends share their pros and cons for being married causing Bobby to question his bachelorhood during hilarious and heartwarming interactions with all the friends he holds dear.

This Tony Award winning musical with book by George Furth and music & lyrics by Stephen Sondheim gives audiences everywhere a reflection of themselves in at least one of these beloved characters.

Audition Information:

Directed by Loran Polson with music direction by Kyle Denton and choreography by Emily Hanner, auditions will be held at the Historic Owen Theater (205 S. Commercial St., Branson, MO 65616) on Sunday, March 17, 2024 from 6:00pm-9:00pm with callbacks held on Monday, March 18th from 7:00pm-10:00pm. The first rehearsal is scheduled for March 25th at 6:30pm.

2024 PERFORMANCE DATES:

  • Thursday, May 16th @ 7:00pm
  • Friday, May 17th @ 7:00pm
  • Saturday, May 18th @ 7:00pm
  • Sunday, May 19th @ 2:00pm
  • Thursday, May 23rd @ 7:00pm
  • Friday, May 24th @ 7:00pm
  • Saturday, May 25th @ 7:00pm
  • Sunday, May 26th @ 2:00pm

AUDITION INFORMATION:

Auditions are open to performers ages 18 and up

What to bring:
Those auditioning are asked to bring: a music cut no longer than a minute in the style of the show. Songs from the show are acceptable and even preferred if you are wanting a specific role. Bring your own music track available on your phone (no accompanist provided).

If you are auditioning for the role of Robert (Bobby), you must sing from the 2:40 mark to the end of the song of the following youtube track: “Being Alive” from Company (Male Verson) 

Have comfortable clothing available. Those who audition will be asked to complete a dance combination.

CALLBACK INFORMATION:
Callbacks will also take place at the Historic Owen Theater on March 18th from 7:00pm-10:00pm. Those called back will be reading and singing for specific characters from the show (you will be contacted individually if you are needed at callbacks)

VIDEO SUBMISSIONS:
We will be accepting video submissions until Sunday, March 17th at 6pm. Those unable to attend auditions can send in a video submission (One minute cut of a music theatre song or song from the show- “Being Alive” if you are auditioning for Bobby) with head shot and resume. Please also list any conflicts you have with performance dates/times and conflicts you have in the evenings from March 25th through May 26th.

Email video submissions to director Loran Polson at loran.polson@gmail.com.

ROLE BREAKDOWN:

Robert (Bobby):

The story’s protagonist, he is a keen observer who appears happy but holds pain in his heart. He is the only one of his friends still single. Terrified of marriage and fears lifelong loneliness.

Gender: Male
Age: 30-35
Vocal range top: G5
Vocal range bottom: G3

Sarah:

Harry’s hyper critical wife. She is an avid learner of karate and tends to overeat. Open, accepting, and full of love.

Gender: Female
Age: 30-40
Vocal range top: A5
Vocal range bottom: A3

 

Harry:

Sarah’s husband. He is a recovering alcoholic continually falling off the wagon. Believes the advantages of marriage outweigh the disadvantages.

Gender: Male
Age: 35-45
Vocal range top: A5
Vocal range bottom: A3

Susan:

A delicate southern belle. Peter’s wife and ex-wife. Motherly in her affections toward Robert.

Gender: Female
Age: 30 to 40
Vocal range top: A5
Vocal range bottom: A3

Peter:

Susan’s husband. The perfect husband and ex-husband. He is very liberal in his view of relationships.

Gender: Male
Age: 30 to 40
Vocal range top: A5
Vocal range bottom: B3

Jenny:

Quietly manipulative, simultaneously square and wise. Loves her husband, David, and will indulge him from time to time.

Gender: Female
Age: 30 to 40
Vocal range top: A5
Vocal range bottom: A3

David:

Jenny’s husband, he is relaxed and always in control. Believes a man should be married and that the sacrifice of freedom is worth what you get in return.

Gender: Male
Age: 30 to 40
Vocal range top: A5
Vocal range bottom: B3

Amy:

A frantic neurotic engaged to Paul but terrified of marriage. After a mental breakdown, she finally realizes that Paul is, in fact, her soulmate.

Gender: Female
Age: 25-35
Vocal range top: A5
Vocal range bottom: G3

Paul:

Amy’s fiancé. Mildly clingy, but patient to her neurotic nature. He is fully committed to the idea of marriage and encourages Robert to do the same.

Gender: Male
Age: 30 to 40
Vocal range top: A5
Vocal range bottom: B3

Joanne:

Acerbic, demanding, and blunt. Too old to be part of the young crowd, but not old enough to be part of the older crowd. Puts on a brassy front that melts when she is alone with her husband.

Gender: Female
Age: 40 to 50
Vocal range top: B5
Vocal range bottom: G3

Larry:

Joanne’s husband. He is stoic and centered, but has moments of goofiness. Indulges his wife’s behavior but knows when to put his foot down.

Gender: Male
Age: 45 to 55
Vocal range top: A5
Vocal range bottom: B3

Marta:

A girlfriend of Robert’s. Intensely modern, who is seeking adventure and excitement in the City.

Gender: Female
Age: 20-30
Vocal range top: A5
Vocal range bottom: A3

Kathy:

An old girlfriend of Robert’s, who is now considered a good friend. She plans to leave the City for a life of domesticity. Sweet and loving.

Gender: Female
Age: 25-35
Vocal range top: A5
Vocal range bottom: A3

April:

A girlfriend of Robert’s. She is a flight attendant who came to New York to live in Radio City. Ditzy and adorable.

Gender: Female
Age: 25-35
Vocal range top: A5
Vocal range bottom: A3

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Branson Airport Seeks Makeup Artists & Actors For Simulated Crash Exercise

  • dateFebruary 15, 2024
  • userBranson Regional Arts Council
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This is an urgent casting notice of sorts for area makeup artists and actors of all ages!

Imagine if you were cast as an extra on a new blockbuster film. Your big scene includes a major plane crash. Now imagine that that scene actually takes place in your own backyard at the Branson Airport. Well, this isn’t a Hollywood film, but it is a very important emergency drill that could potentially save lives in the event of an actual plane crash emergency.

The Branson Airport is seeking volunteer makeup artists and area actors to play the role of “victims” in a simulated large aircraft crash. The full-scale emergency exercise is planned for Saturday, April 13, 2024 from 7:00am – 1:00pm at the Branson Airport.

  • Theatrical blood and makeup will be provided for the makeup artists.
  • They will be creating quick bruises and blood on approximately 75 volunteer actors for this drill.
  • Each victim makeup session should take about 60 seconds to complete.
  • If that isn’t exciting enough, there will also be free donuts and lunch served to all selected participants.

Interested participants are asked to contact Jesse Fosnaugh, Airport Deputy Director ( jfosnaugh@flybranson.com ), right away to “book your flight” aboard this exciting and beneficial drill for the safety of our community. Please include your full name and contact information in your email request.

“This exercise will be a full deployment of all of the mutual aid, fire, ems in the area. We are especially in need of makeup artists and actors to participate. Makeup artists will assist in applying stage makeup and special effects to create realistic looking wounds on the actors.” – Jesse Fosnaugh, Deputy Director; Operations & Maintenance – Branson Airport

Please share this information with anyone you think might be interested in assisting! Thank you in advance for your participation in this safe, but exciting simulated emergency event.

Please let us know if you are interested right away so we can “reserve your seat”! 

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